Contact by Jake Shivery

Our first monograph featuring Portland photographer Jake Shivery’s 8×10 contact portraits captured on his large-format Deardorff camera. Contact is one half plates and one half extensive essay on Shivery’s photographic beliefs, process, life, and anecdotes.

“Somewhere between hopeful acquaintance and profound intimacy is where all of my portraits are made.”
— Jake Shivery



Drawn to Oregon for the soft and diffused light, I’ve become solidly entrenched here because of the people.  I’m interested in folks who are genuine and unique. I’m interested in craftspeople, passionate people and people of deep commitment and faith. I don’t care to speculate on what about the Northwest United States causes such a concentration of these types; I’m just pleased to be here.

I can’t shoot enough. I can’t hope to keep my work flow moving at the same pace at which I meet individuals who interest me. Even within the confines of my less-than-social life, I barely go a day without meeting someone whom I’d like to photograph. I am delighted to have a subject pool which persistently motivates me, not just to work, but to maddening passion. I keep working and hope for the best.

I am now unrepentant in my sole interest in the small subset of photography which may be referred to as formal portraiture. I appreciate all forms of photography and steal liberally from all that I see — every landscape, every still life, every street-oriented hip-shot that makes me stop and look- eventually distills down into a portrait.

Many people whom I know are resistant to being photographed. I try to embrace this resistance and capture it as part of the portrait.  Ironically, this resistance often combines with cooperation, causes some of the formality, and yields a finished portrait. I shoot with large format because it takes effort — it’s a very simple way of implying to subjects that I’m serious and that I have the best of intentions.

Most importantly, I’m impressed with everyone I photograph. Ultimately, this is my declaration of affection and admiration for the people that I’m fortunate enough to know.

—Jake Shivery

“Contact Portraits” refers to the technique of printing directly from the negative and producing a print of the same size, in this case, eight inches by ten inches.  A long established photographic practice, contact printing does not rely on enlarging, and best maintains the integrity of the original negative.  All images are contact printed onto selenium-toned fibre paper for exceptional archivability.  The resulting work is heavily influenced by this process–oriented approach: the pieces are still, formative and meditative.  These posed portraits represent modern subjects interacting with traditional, craft-based technology, creating a unique set of circumstances that lean toward being simultaneously formal and intimate.

Contact by Jake Shivery
30.00 45.00
  • 9x12 inches

  • 160 pgs.

  • 57 plates + 36 additional images

  • Perfect bound, foil embossed cover

  • ISBN: 978-0-9844432-7-7

  • Limited Edition of 1,000

  • Introduction by Dr. Julian Nelson

Contact, which includes photos CNN said “show affection for Portland area [and its] residents,” presents Shivery’s 8×10 contact prints captured on his large format Deardorff camera. It’s a 160-page, limited-edition book separated into sections highlighting approximately 100 images by the artist, and an extensive essay on his photographic beliefs and process. Produced and printed in Portland Ore. Visit for more on the artist and his work.

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Jake by Oliver Ogden

From film maker Oliver Ogden: A portrait of my friend Jake Shivery. Jake is a Portland Oregon based portraitist. This film was released in tandem with a successful Kickstarter campaign to produce a monograph of Jake's photos and essays.

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