Jeannie Hutchins interview by Amy Parrish

Hutchins’ practice includes various techniques: gum bichromate and carbon transfer printing, experiments with wet cyanotypes, working in the digital darkroom, printing on alternative surfaces, and rephotographing prints with materials such as glitter, textured paper, and fairy lights. Yet evidence of her hand remains elusive: the process is inextricably bound to the image. Looking at her work is like looking upon a mystery.

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