Stübing values the intrinsic artistic qualities linked to the photographic process, where experimentation yields unique and unrepeatable works. This is a reaction to the current state of digitally reproducing photographs and finding meaning in the physicality of participating in the alternative methods of making images. The often encountered “happy accidents” only add to the nuance and enjoyment of it all. In fact, the repetition of the actions inevitably bores him, leading to continually changing processes and introducing modifications through experimentation. Taking a hybrid approach often leads him to a workflow that includes using analog slide film, scanning, digital manipulation, printing, then back to experimental treatments of new negatives, back to scanning again, and finally printing of a final piece. Clearly, there can often be a lot happening behind the scenes in making his stunning botanical studies – and often, the means to get there is not easily identified.

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