Call for art: Internal Dialogue
Internal Dialogue
Fran Forman & Michael Kirchoff, curators
© Fran Forman
Submissions closed — thank you!
Update 4/3/2020:
We are pleased to announce selections from this call will now have the opportunity to show their work in a physical exhibition at The Gallery UPSTAIRS @ Bob Korn Imaging. The Gallery UPSTAIRS will hang up to 24 prints from the Internal Dialogue exhibit. Prints are made for the artists on 26x30” matte paper and framed the same size. The cost to each photographer is a mere $50 for The Gallery UPSTAIRS to do the printing and framing. Each photographer chosen has the opportunity to opt-in or decline at their discretion. Upon conclusion of the exhibit, prints are shipped to the artist at their cost. At this point, dates are TBD and will be announced when it’s appropriate to do so.
Call for entry:
For all of us, forced social distancing can be accompanied by fear, anger, loneliness - but also a time for self-reflection. None of us has ever experienced a time like this. What are our feelings about this? We artists apply our internal feelings to our creations. How does this manifest in our internal dialogue? We want to see how your inner thoughts are expressed in external ways.
This call directly addresses our emotions during this crisis, and how we might portray them in our daily life and in our art.
We are conducting this online exhibition in support of community and the love of the photographic medium. Think of this call as an emotional outlet, as an opportunity for creation, and as a cathartic experience.
In the end, it is all up to you to show us the darkness or bring us your optimism - just show us how you express your ‘Internal Dialogue’.
Details:
Submit up to two photographs at 1200pixels on the long side. Jpg only, 72dpi, sRBG color space. Please include the title and website address in your submission email. Please no watermarks or frames.
Please name your files as so: Lastname-Firstname_Image-Title.jpeg for instance: Smith-Bob_Best-Photo-Ever.jpeg
Entry is FREE
The final number chosen for the exhibition will be approx. 20-30
Deadline: April 20th, 2020.
Email Blue Mitchell at hello@112pub.com
Curators: Fran Forman & Michael Kirchoff
Related links:
Copyright: By submitting photos for publication on One Twelve (onetwelvepublishing.com) you are stipulating to us that you own the copyright to these photographs or have permission from the copyright holder to submit these photographs. You are granting One Twelve a non-exclusive license to use the photograph in its submitted form for publication on the One Twelve website (onetwelvepublishing.com) for as long as the website exists as well as on social media (Facebook, Instagram, Twitter, etc) for promotional purposes and will always note the copyright holder.
About the Curators
Fran Forman
Fran’s photo paintings have been exhibited widely, both locally and internationally, and are in many private collections as well the permanent collections of the Museum of Fine Arts Boston, the Smithsonian National Air and Space Museum (Washington, DC), the Museum of Fine Arts, Houston, The Grace Museum (Texas), the Sunnhordland Museum (Norway), Western Carolina University Fine Art Museum, the Comer Collection at the University of Texas, and the County Down Museum (Northern Ireland).
Fran’s 2nd major monograph, The Rest Between Two Notes, with 110 color plates and 224 pages is published by Unicorn Publishing and available March 2020.
Escape Artist: The Art of Fran Forman was published by SchifferBooks and was selected as one of the Best PhotoBooks of 2014 by Elizabeth Avedon and won First Place in an international competition.
Fran’s work is featured in the books Photoshop Masking and Compositing, Contemporary Cape Cod Artists: People and Places, BETA Developments in Photography, and the magazines AAP, Internationales Magazin fur Sinnliche Fotografie (Fine Art Photo), The Hand, Blur, and Shadow and Light. Monographs of Fran’s solo exhibitions were published by Pucker Gallery in 2018, 2016, and 2014. She was invited to be an Artist in Residence at Holsnoy Kloster, Norway, The Studios of Key West, and The Millay Colony for the Arts. Additionally, she is often asked to juror and curate photo exhibitions.
Some of Fran’s solo exhibitions were at The Fox Talbot Museum, Lacock Abbey, England, The Massachusetts State House (The Griffin Museum of Photography), AfterImage Gallery (Dallas), the University of North Dakota, Galeria Photo/Graphica (Mexico), and the Pucker Gallery (Boston), as well as numerous group shows. In the past decade, Fran has won numerous significant awards and prizes; most recently, first place from the Julia Margaret Cameron awards and three awards (First Place, Gold and Silver) from PX3 Prix de la Photographie, Paris. She also won the second prize from the World Photography Gala Award (out of over 8000 entries) in People and Portraits; in 2010, she won 1st place in Collage for the Lucie Foundation’s International Photo Awards (IPA). She was also a finalist for four straight years in PhotoLucida’s Critical Mass.
Fran is represented by AfterImage Gallery (Dallas), Pucker Gallery (Boston), SusanSpiritus Gallery (California), and Galeria Photo/Graphica (Mexico).
She is an Affiliated Scholar at the Women’s Studies Research Center at Brandeis University, a recipient of several grants and Artist Residencies, and teaches advanced photo-collage internationally.
Fran studied art and sociology at Brandeis University, received an MSW in psychiatric social work, and then an MFA from Boston University. She resides in the New England area.
Michael Kirchoff
Michael Kirchoff works in the worlds of both commercial and fine art photography. A commercial shooter for nearly thirty years, it is his fine art work that has set him apart from others, with instant film and toy camera images fueling several bodies of work. His consulting, training, and overall support of his fellow photographic artist continues with assistance in constructing ones vision, reviewing portfolios, and finding exhibition opportunities, which fill the gaps in time away from active shooting.
Michael is also an independent curator and juror, and advocate for the photographic arts. He has been a juror for Photolucida’s Critical Mass, and has reviewed portfolios for the Los Angeles Center of Photography’s Exposure Reviews and CENTER’s Review Santa Fe. Michael has been a contributing writer for Lenscratch, Light Leaked, and Don’t Take Pictures magazine. In addition, he spent ten years (2006-2016) on the Board of the American Photographic Artists in Los Angeles (APA/LA), producing artist lectures, as well as business and inspirational events for the community. Currently, he is also Editor-in-Chief at Analog Forever magazine, and is the Founding Editor for the online photographer interview website, Catalyst: Interviews. Previously, Michael spent over four years as Editor at BLUR magazine.
Michael’s fine art imagery has garnered recognition from the IPA Awards, PX3, Photographers Forum, and Critical Mass. His photographs have been published in L'Oeil de la Photographie, B&W (U.S.), Black & White (U.K.), Seities, Esquire, BLUR, Harpers, Adore Noir, Fraction, Shots, Diffusion Annual, and Lenscratch, among others. Michael also continues to exhibit his work domestically and internationally, with more than a dozen solo exhibitions, and over fifty group exhibitions to date, with prints in both public and private collections.